×
Traktatov.net » Как писать о современном искусстве » Читать онлайн
Страница 141 из 151 Настройки

Godfrey T. Conceptual Art. London: Phaidon, 1998.

Perry G., Wood P., eds. Themes in Contemporary Art. New Haven and London: Yale University Press; The Open University, 2004).

Danto A.C. After the End of Art: Contemporary Art and the Pale of History. Princeton, NJ: Princeton University Press, 1997.

Fer B. The Infinite Line: Re-Making Art After Modernism. New Haven and London: Yale University Press, 2004.

Lippard L. Six Years: The Dematerialization of the Art Object from 1966 to 1972 [1973]. Berkeley and Los Angeles: University of California Press, 1997.

Owens C. Beyond Recognition: Representation, Power, and Culture. Berkeley and Los Angeles: University of California Press, 1992.

Pollock G. Vision and Difference: Femininity, Feminism and Histories of Art. London and New York: Routledge, 1988.

Модернизм

Arnason H.H. History of Modern Art: Painting, Sculpture, Architecture, Photography. London: Pearson, 2012 (7-е изд.).

Clark T.J. Farewell to an Idea: Episodes from a History of Modernism (New Haven and London: Yale University Press, 1999.

Krauss R. Passages in Modern Sculpture [1977]. Cambridge, MA: MIT Press, 1977.

Steinberg L. Other Criteria: Confrontations with Twentieth-Century Art. London; Oxford; New York: Oxford University Press, 1972.

Wood P. Varieties of Modernism. New Haven and London: Yale University Press; The Open University, 2004.

Berman M. All That is Solid Melts into Air: The Experience of Modernity. Harmondsworth, Middlesex: Penguin, 1982.

Krauss R. The Optical Unconscious. Cambridge, MA: MIT Press, 1993.

Greenberg C. Modernist Painting [1960] // Greenberg C. The Collected Essays and Criticism. Vol. IV / Ed. by John O’Brian. Chicago, IL; London: University of Chicago Press, 1993. P. 85–93.

Schapiro M. Modern Art: 19>th and 20>th Centuries: Selected Papers. Vol. 2. New York: George Braziller, 1978.

Краусс Р. Подлинность авангарда и другие модернистские мифы [1985] / Пер. А. Матвеевой и К. Кистяковской. М.: Художественный журнал, 2003.

Кураторство

Bennett T. The Birth of the Museum: History, Theory, Politics. London: Routledge, 1995.

Blazwick I. et al. A Manual for the 21>st Century Art Institution. London: Koenig Books; Whitechapel Gallery, 2009.

Ferguson B. W., Goldberg R., Nairne S. Thinking about Exhibitions. London: Routledge, 1996.

Altshuler B. Salon to Biennial: Exhibitions that Made Art History. Vol. 1: 1863–1959; Biennials and Beyond: Exhibitions that Made Art History. Vol. 2: 1962–2002. London: Phaidon, 2008; 2013.

Filipovic E., Van Hall M., Ostebo S., eds. The Biennial Reader: An Anthology on Large-Scale Perennial Exhibitions of Contemporary Art. Bergen: Bergen Kunsthall; Ostfildern: Hatje Cantz Verlag, 2010.

Hiller S., Martin S., eds. The Producers: Contemporary Curators in Conversation. Gateshead: Baltic Centre for Contemporary Art, 2000.

Rattemeyer C., Beeren W. Exhibiting the New Art: «Op Losse Schroeven» and «When Attitudes Become Form» (1969). London: Afterall, 2010.

Кримп Д. На руинах музея [1993] / Пер. И. Аксенова, К. Саркисова. М.: V-A-C press, 2015.